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5 things social media platforms can do to combat anti-LGBTQ disinformation
Harsh consequences when Facebook allows attacks on trans people

Social media platforms have a major anti-LGBTQ disinformation problem that enables myths, lies, and misleading content to spread to large audiences and earn high engagement. These platforms have occasionally shown that they are capable of quelling disinformation and removing or flagging misleading content, but they are not consistent in enforcing their own policies and protecting LGBTQ people. There are several actions that they can take to do so in 2021.
In July, a Media Matters study found that during a year-long time period, right-wing sources earned nearly two-thirds of total Facebook interactions on trans-related content that had more than 100,000 interactions (reactions, comments, shares). In particular, over one-third of content that met the criteria for the study was content about trans athletes and medical care for trans youth published by right-leaning outlets.
When YouTube and Facebook allow anti-LGBTQ groups and media to attack and spread disinformation about trans people, there are real world consequences. Harmful narratives divert attention from important issues facing the community such as employment discrimination and high rates of violence. And when trans youth and their families use these platforms, they are fed a stream of disinformation that could result in parents denying their children critical care or rejecting their identities, which can harm trans kids’ physical and mental well-being.
The failure of social media platforms to prevent the spread of anti-LGBTQ disinformation also comes as conservatives allege bias against right-wing content, especially on Facebook, which Media Matters has extensively and repeatedly debunked. Despite this, Facebook has consistently caved to conservative demands.
Under existing or new community guidelines, social media platforms have removed anti-LGBTQ content, including content that compares being trans to having a mental illness and that promotes conversion therapy, a harmful practice that seeks to change the sexual orientation or gender identity of LGBTQ people. However, platforms’ enforcement of these rules is inconsistent and inadequate, and disinformation still runs rampant.
Here are five actions the platforms can take to help stop the spread of anti-LGBTQ disinformation:
1. YouTube should enforce its hate speech policy prohibiting content that says being trans is a mental illness. YouTube has a hate speech policy that forbids claims “that individuals or groups are physically or mentally inferior, deficient, or diseased” based on sexual orientation or gender identity, among other categories. Under this policy, it has removed several videos for comparing being trans to having a mental illness, yet many others remain on the platform. YouTube must consistently enforce this existing policy and remove videos that break it.
In November, the platform removed two anti-trans videos from right-wing propaganda network PragerU’s The Candace Owens Show for violating this policy. In both videos, host Candace Owens compared being trans to having schizophrenia. She compared being trans to having a “mental disorder” in one and trans people to “anorexics” in the other.
However, Media Matters found several other videos still on YouTube that do the same thing. For example, another episode of The Candace Owens Show features “ex-trans” activist Walt Heyer, who called being trans a “psychological disorder” and said that adult trans people are not actually transgender but rather have “a sexual fetish disorder.” During a clip of an episode of The Joe Rogan Experience on YouTube, host Joe Rogan and his guest anti-trans author Abigail Shrier compared being trans to convincing yourself you have a problem with “cutting, demonic possession, witchcraft, anorexia, bulimia.” Additionally, another video of an anti-trans conference at right-wing group the Heritage Foundation includes panelists saying that many trans kids have “neuropsychiatric conditions” and that affirming them is “causing them to be depressed and anxious about who they are.” In fact, trans youth are less likely to suffer from depression and suicidal ideation if they are accepted.
2. Facebook should continue removing pro-conversion therapy posts and pages. In July, Facebook and Instagram announced a policy banning posts that “advertise or promote” conversion therapy, and after Media Matters’ reporting, Facebook subsequently removed several posts and a page for doing so. Despite the policy and action, some of the removed posts have been reinstated and other similar posts and pro-conversion therapy pages remain active on the site. Facebook must consistently enforce its policy and take action against posts and pages that repeatedly break the rules.
In October, Facebook removed the page for pro-conversion therapy group Restored Hope Network, which consistently promoted the practice. That page has remained off the platform since then. However, in July, Facebook removed several posts from the Facebook page for International Federation for Therapeutic and Counselling Choice (IFTCC), a worldwide network of conversion therapy practitioners, but later reinstated several of those posts. Those posts cite prominent conversion “therapists” and include a video with advice for conversion therapy practitioners and others that falsely suggest “Schema therapy” and “professionals and pastoral mentors” can successfully change LGBTQ people. It is unclear why those posts were reinstated, as Facebook is notoriously opaque on its policies and their enforcement.
Several of IFTCC’s posts were never removed, including several posts that suggest people are not innately LGBTQ and another that says, “Not only is it inaccurate to tell clients that change is not possible, it is also unethical for therapists to impose their agendas on clients.”
Additionally, the Facebook page for pro-conversion therapy group Voice of the Voiceless (VoV) has posted testimony from people claiming conversion therapy is effective or who have otherwise claimed to have changed their sexual orientation. It has also highlighted conversion therapy practitioners, conferences and webinars. Thus far, Facebook has not taken any action on these posts or the VoV page.
3. Platforms should adopt policies explicitly prohibiting deadnaming and misgendering. In 2018, Twitter updated its hateful conduct policy — which prohibits “repeated and/or non-consensual slurs, epithets, racist and sexist tropes, or other content that degrades someone” — to include “targeted misgendering or deadnaming of transgender individuals.” Facebook and YouTube, however, do not have these same protections; they must follow Twitter’s example in order to protect LGBTQ users from harassment and discrimination.
Misgendering is when someone is referred to as a different gender than the one that person identifies with, and deadnaming is when someone calls a trans person by “the name they used before they transitioned” rather than the name they currently go by.
Facebook’s hate speech policy under its community standards specifically prohibits “statements denying existence” and referring to transgender or nonbinary people as “it.” Its bullying and harassment policies prohibit targeting private individuals with “claims about romantic involvement, sexual orientation or gender identity.”
Similarly, YouTube’s harassment and cyberbullying policy states, “We also do not allow content that targets an individual with prolonged or malicious insults based on intrinsic attributes” including sexual orientation and gender identity. Additionally, the platform’s hate speech policy says it will “remove content promoting violence or hatred against individuals or groups based on” attributes including sexual orientation, gender identity and expression, and sex or gender.
4. Platforms should stop monetizing anti-trans disinformation and hate. Social media platforms YouTube and Facebook have earned money from anti-LGBTQ advertisements and helped right-wing groups raise money off of anti-trans content, despite having policies that allegedly prohibit this. They should enforce and strengthen those policies and prevent the monetization of transphobia.
During the 2020 election, Facebook earned thousands of dollars from the American Principles Project, an anti-LGBTQ group that ran misleading ads about trans kids and the Equality Act in order to campaign against Democratic candidates including Joe Biden. Facebook removed some of the ads after Politifact found that the ads’ claims include predictions “we can’t fact-check” and that one ad was “missing context and could mislead people.” Despite this, the group eventually ran ads repeating those claims that were not removed. Furthermore, Facebook has allowed anti-LGBTQ outlet The Daily Wire to run paid political ads — including at least one that targets and misgenders actor Elliot Page for coming out as trans — despite its temporary ban on them.
Similarly, YouTube allowed PragerU to raise more than $25,000 off of a video featuring a client of extreme anti-LGBTQ group Alliance Defending Freedom, who repeatedly misgendered trans athletes and fear-mongered about their participation in sports. The YouTube Giving program says that nonprofits must follow YouTube’s Community Guidelines that supposedly protect trans people. The program says that participating organizations must “follow YouTube’s monetization policies both on and off of YouTube,” which PragerU has repeatedly run afoul of.
5. Facebook should stop allowing The Daily Wire to use a coordinated network of pages to spread disinformation. The Daily Wire is a wildly successful right-wing outlet that regularly spreads anti-LGBTQ disinformation and bigotry through online content, podcasts, and social media. It operates a network of Facebook pages that share the same content at the same time, helping it reach large audiences. Facebook should stop allowing these pages to spread the outlet’s content in a coordinated manner.
Facebook started marking these pages as operated by Daily Wire after a series of reports from Judd Legum’s Popular Information, and several pages now display language that they are “Proudly managed by the Daily Wire.” These pages previously did not disclose that relationship. Although the relationship between the pages and the outlet is more transparent, Facebook still allows the coordinated network to game the system and earn high engagement.
In October 2019, Legum reported on how Daily Wire’s network seemed to violate Facebook’s Coordinated Inauthentic Behavior policy, which removes networks of pages that mislead “about the identity, purpose, or origin of the entity that they represent” and use “multiple Facebook or Instagram assets” to do so. Facebook originally denied that Daily Wire had broken content-sharing rules, but Popular Information reported in July that Facebook finally acknowledged that the outlet was violating “policies against undisclosed paid relationships between publishers.”
The Daily Wire’s use of this network helps it spread anti-trans and other right-wing content and disinformation to large audiences. In fact, a Media Matters study found that The Daily Wire was one of the most successful outlets posting about trans issues during a year time period.
The Daily Wire has several anti-LGBTQ pundits with large media platforms, including Matt Walsh, Michael Knowles, and Ben Shapiro, the site’s founder. Their Facebook pages also share content at the exact same time as other pages in the outlet’s network.
(This article was originally published by Media Matters and is republished with permission.)
a&e features
Memorial for groundbreaking bisexual activist set for May 2
Loraine Hutchins remembered as a ‘force of nature’
The Montgomery County Pride Center will host a celebration honoring the life and legacy of Loraine Hutchins, Ph.D., on May 2. People are invited to attend the onsite memorial or a livestream event. The on-site event will begin at 10 a.m. with a meet-and-greet mixer before moving into a memorial service around the theme “Loraine a Force of Nature!” at 11 a.m., a panel talk at 12 p.m., break out sessions for artists, academics, and activists to build on her legacy at 1 p.m. and a closing reception at 2 p.m.
Attendees are encouraged to register for the on-site memorial gathering or the livestreamed memorial. The goal of this event is also to collect stories and memories of Loraine. Attendees and others can share their stories at padlet.com.
An obituary for Hutchins was published in the Bladelast Nov. 24, where people can learn more about her activism in the bisexual community. A private service for friends and family was held in December but this memorial service is open to all.
Alongside her groundbreaking work organizing for U.S. bisexual rights and liberation including co-editing “Bi Any Other Name: BIsexual People Speak Out” (1991), she also integrated faith into her sexual education and advocacy work. Her 2001 doctoral dissertation, “Erotic Rites: A Cultural Analysis of Contemporary U.S. Sacred Sexuality Traditions and Trends,” offered a pointed queer and feminist analysis to sex-neutral and sex-positive spiritual traditions in the United States. Her thesis was also groundbreaking in exploring the intersections between sex workers and those in caregiving professionals, including spiritual ones.
In an oral history interview conducted by Michelle Mueller back in August 2023, Hutchins described herself as a “priestess without a congregation.” While she has occasionally had a sense of community and feels part of a group of loving people, she admitted that “I don’t feel like we have the shape or the purpose that we need.”
“I’ve often experienced being the Cassandra in the room, the Cassandra in the community. Somebody who’s kind of way out there ahead, thinking through the strategic action points that my community hasn’t gotten to yet, and getting a lot of resistance and hostile responses from people who are frightened by dissent and conflict and not ready for the changes we have to make to survive,” she said.
“For somebody who’s bisexual in an out political way and who’s been a spokesperson for the polyamory movement in an out political way, it’s very exposing. And it’s very important to me to be able to try to explain and help other people understand the connection between spirituality and sexuality,” she explained citing how even as a graduate student she was “exploring how to feel erotic and spiritual, and not feel them in conflict with each other in my own spiritual contemplative life and my own sensual body awareness of being alive in the world.”
“Every religion has a sense of sacred sexuality. It’s just they put a lot of boundaries and regulations on it, and if we have a spiritual practice that is totally affirming of women’s priesthood and of gay people, queer people’s ability to minister to everyone and to be ministered to be everyone, what does that do to the gender of God, or our understanding of how we practice our spirituality and our sexuality in community and privately?”
“There’s no easy answer,” she concludes, and she continued to grapple with these questions throughout her life, co-editing another seminal text, “Sexuality, Religion and the Sacred: Bisexual, Pansexual, and Polysexual Perspectives,” published in 2012. Her work blending spiritual and queer liberation remains groundbreaking to this day.
Rev. Eric Eldritch, a local community organizer and ordained Pagan minister with Circle Sanctuary who has worked for decades with the DC Center’s Center Faith to organize the Pride Interfaith Service, is eager to highlight this element of her legacy at the memorial service next month.
a&e features
Queery: Meet artist, performer John Levengood
Modern creative talks nightlife, coming out, and his personal queer heroes
John Levengood (he/him) describes himself as a modern creative with a wide‑ranging toolkit. He blends music, technology, civic duty, and a sharp sense of wit into a cohesive artistic identity. Known primarily as a recording artist and performer, he’s also a self‑taught music producer and software engineer who embodies a generation of creators who build their own lanes rather than wait for one to appear.
Levengood, 32, who is single and identifies as gay and queer, is best known as a recording artist who has performed at Pride festivals across the country, including the main stages of World Pride DC, Central Arkansas Pride, and Charlotte Pride.
“Locally in the DMV, I’m known for turning heads at nightlife venues with my eye-catching sense of style. When I go out, I don’t try to blend in. I hope I inspire people to be themselves and have the courage to stand out,” he says.
He’s also known for hosting karaoke at Freddie’s Beach Bar in Arlington, Va., on Thursday nights. “I like to create a space where people feel comfortable expressing themselves, building community, and showcasing their talents.”
He also creates social media content from my performances and do interviews at LGBTQ+ bars and theatres in the DMV. Follow the Arlington resident @johnlevengood.
How long have you been out and who was the hardest person to tell?
I have been fully out of the closet since 2019. My parents were the hardest people to tell because my family has always been my rock and at the time I couldn’t imagine a world without them. Their reactions were extremely positive and supportive so I had nothing to fear all along.
I remember sitting on the couch with my mom, dad, and sister in our hotel room in New Orleans during our winter vacation and being so nervous to tell them. After I finally mustered up the nerve and made the proclamation, I realized my dad had already fallen asleep on the couch. My mom promised to tell him when he woke up.
Who’s your LGBTQ hero?
My LGBTQ heroes are Harvey Milk for paving the way for gays in politics and Elton John for being a pioneer for the fabulous and authentic. My local heroes in the DMV are Howard Hicks, manager of Green Lantern, and Tony Rivenbark, manager of Freddie’s Beach Bar. Both of them are essential to creating spaces where I’ve felt welcome and safe since moving to the DMV.
What’s Washington’s best nightspot, past or present?
Trade tops the list for me because of the dance floor and outdoor space. It’s so nice to get a break from the music every once and a while to be able to have a conversation.
We live in challenging times. How do you cope?
I’m still figuring this out. What is working right now is writing music and spending time with family and friends. I’ve also been spending less time on social media going to the gym at least three times a week.
What streaming show are you binging?
After “Traitors” Season 4 ended, I was in a bit of a show hole, but “Stumble” has me in a laughing loop right now. The writing is so witty.
What do you wish you’d known at 18?
At 18, I wish I would have known how liberating it is to come out of the closet. It would have been nice to know some winning lottery numbers as well.
What are your friends messaging about in your most recent group chat?
We are planning our next trip to New York City. If you can believe it, I visited NYC for the first time in 2025 for Pride and I’ve been back every quarter since. Growing up in the country, I was subconsciously primed to be scared of the city. But my mind has been blown. I can’t wait to go back.
Why Washington?
It’s the closest metropolitan area to my family, but not too close. I love the museums, the diversity, the history, and the proximity to the beach and mountains. It’s also nice to live in a city with public transportation.
Aging RFK Stadium has come down, but the RFK grounds are still getting lit up. Welcome back to the stage Project GLOW, D.C.’s homegrown electronic festival, on May 30-31. Back for its fifth year on these musically inclined acres, Project GLOW returns with an even more diverse lineup, and one that continues to celebrate LGBTQ antecedents, attendees, and acts.
Project GLOW 2026 headliners include house and techno star Mau P, progressive house legend Eric Prydz, hard-techno favorite Sara Landry, and bass acts Excision b2b Sullivan King, among the lineup of trance, bass, house, techno, dubstep, and others for the fifth anniversary year.
President & CEO Pete Kalamoutsos — born and raised in D.C. — founded Club GLOW in 1999. In 2020, GLOW entered into a partnership with global entertainment company Insomniac Events to produce live events like Project GLOW, which kicked off in 2022.
As in past years, Project GLOW not only makes space, but is intentionally inclusive of the LGBTQ community, one of its most dedicated fan bases. The festival’s LGBTQ-focused Secret Garden stage blooms again — a more intimate dance area that stands on the strength of DJs and musicians who draw from the LGBTQ community. D.C.’s LGBTQ nightlife mastermind Ed Bailey is the creative mind behind Secret Garden again. He joined Project GLOW in 2023.
“Kalamoustos says that “he’s proud of his partnership with Ed Bailey, along with Capital Pride and [nightlife producer] Jake Resnikow. It’s amazing to collaborate with Bailey at the Secret Garden stage, especially after the curated lineup we worked on at Pride last year.”
The Secret Garden will be a bit different from other stages: Eternal (“At the Eternal stage, time stands still. Lose yourself in the dance of past, present, and future, surrendering to the eternal rhythm of the universe”) and Pulse (“Feel the rhythm of the beat pulse through your veins as the heartbeat of the crowd synchronizes into one. Here, every moment vibrates with life as it guides you through a new dimension of euphoria”). The Secret Garden stage is in the round, surrounded by 16 shipping containers. The containers play canvas to muralists from around the world, who are coming in to paint them in a vibrant garden-style vibe. “We gave this stage some extra love with this layout,” K says, “ we finally cracked the code.”
K says that this will be the biggest lineup yet for the Secret Garden, featuring Nicole Moudaber b2b Chasewest, Riordan b2b Bullet Tooth, Ranger Trucco, Cassian, Eli & Fur, Cosmic Gate and Hayla. The stage is also the largest yet, featuring an expanded dance floor and 360-degree viewing.
Across all stages, K says that his goal for the fifth anniversary is “More art and fan interactive experience, more like a festival, strive to be like a Tomorrowland, as budget grows to add more experience.” Last year’s Project GLOW alone drew 40,000 attendees over two days.
K, however, was not satisfied with one festival this spring. GLOW recently announced a “pop-up” one-day event. Teaming up with Black Book Records, GLOW is set to throw a first-of-its-kind dance-music takeover of Pennsylvania Avenue, N.W., headlined by electronic music star Chris Lake. Set for April 18, this euphoric block party will feature bass and vibes blocks from the White House. Organizers expect as many as 10,000 fans to attend. Beyond music, there will be food, activations, and plenty of other activities taking place around 6th St and Pennsylvania Ave NW – a location familiar to many in the LGBTQ community, as this sits squarely inside the blocks of the Capital Pride party that takes place in DC every June.
Over the past two decades, Club GLOW has produced thousands of events, from club nights to large-scale festivals including Project GLOW, Moonrise Festival, and more. Club GLOW also operates Echostage.
