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Drag legend Ella Fitzgerald returns to the stage for Capital Pride festival

Donnell Robinson on 40 years as a performer and the current political backlash against drag

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Ella Fitzgerald performs at the Capital Pride Festival in 2019. (Washington Blade file photo by Drew Brown)

Donnell Robinson, who has dazzled audiences in the nation’s capital as the drag personality of Ella Fitzgerald for at least 40 years, has the date of Saturday, March 21, 2020, embedded in his mind.

That was the last time he performed in drag. It was at the popular Southeast D.C. nightclub Ziegfeld’s-Secrets, where Robinson performed as Ella Fitzgerald for nearly 40 years, before it, along with all city nightclubs, bars, and other “nonessential” businesses were ordered temporarily closed by Mayor Muriel Bowser in response to the COVID pandemic.   

“That was the last show I did,” Robinson told the Blade in an interview at his apartment in Arlington, Va.

A short time later, around May of 2020, Robinson and all the Ziegfeld’s-Secrets employees and performers learned that the owner of the club’s building at 1824 Half Street, S.W., announced plans to demolish it to build an upscale condo building several years sooner than expected. That meant the club would not reopen when the COVID restrictions were lifted.

“So, what I recall is in May, it was the first week in May, Steven [Delurba, the Ziegfeld’s-Secrets general manager and part owner] called me and said, ‘Honey, do you have anything in the dressing room? Come and get it. The landlord called and said we must be out by the 15th.’”

Robinson said he has fond memories of meeting up with other drag performers, one of the longtime bartenders and other employees who came to retrieve their belongings in the dressing room and other storage spaces in the converted warehouse building that had served as home to Ziegfeld’s-Secrets since 2009.

And it meant at least the temporary end to a 40-year run in which Robinson (aka Ella Fitzgerald) served as emcee and lead drag performer at the Ziegfeld’s-Secrets nightclub, which began in the club’s previous location a few blocks away.

Robinson began performing as Ella Fitzgerald at The Other Side nightclub in 1980, which later changed its name to Ziegfeld’s-Secrets, at its previous location on the unit block of O Street, S.E., before it was displaced in 2006 by construction of the Washington Nationals baseball stadium.

Ella Fitzgerald performs in 1993. (Blade file photo by Doug Hinckle)

The club did not reopen until 2009, when its owners Allen Carroll and Chris Jensen, were able to obtain a lease for the 1824 Half Street building, which Carroll and Jensen renovated before reopening the club there.

All of that has become the backdrop to Robinson’s excitement over returning to the stage as Ella Fitzgerald at D.C.’s Capital Pride festival on June 11, which will take place on Pennsylvania Avenue with the U.S. Capitol as a dramatic backdrop two blocks behind the stage.

While he’s hopeful that all will go well with his upcoming performance at the Pride festival, Robinson says he is aware of the recent far-right political backlash against drag shows in states across the country.

In addition to proposed laws placing restrictions on drag shows, protests targeting drag shows, including some attempting to disrupt the shows, have also occurred in cities and states, including earlier this year in nearby Silver Spring, Md., and at a drag brunch hosted by a restaurant near the U.S. Marine Barracks on Capitol Hill in D.C.

“I have read about some of that,” Robinson told the Blade. “I haven’t been in the drag scene in three years. But I see and know what’s going on,” he said. “And my fellow drag performers who are older in my generation, I know they may be at risk. And I know I am to a degree,” he continued.

“And it’s a shame that we have to fear that we can’t present our art, our art form of drag and hope that nothing is going to happen to me today,” he said. “Why should we have to even have that thought going through our mind while we’re going through our makeup and getting ready?”

Speaking with the Blade at his apartment, Robinson added, “I’m planning to walk out of here in full drag to go to Pride. And there’s going to be part of me in the back of my mind that I’ve got to watch my back because there may be some idiot out there that doesn’t want to see an old man dress up in sequins and beads.”

“I just don’t understand why people think that drag is going to go away,” Robinson said. “It’s not. It’s more popular now than it ever was because of RuPaul and the drag brunches and the shows that are continuing to go on.”

Donnell Robinson works as a popular hair stylist in addition to performing as Ella Fitzgerald. (Blade photo by Lou Chibbaro Jr.)

Robinson, 68, says he was born in Warrenton, Va., and grew up on a farm just outside Warrenton and raised by his grandparents. His first attempt at drag took place while in the 8th grade when he entered a school talent show portraying TV personality Flip Wilson’s drag character Geraldine Jones.

“All of my girlfriends, they helped get it together,” Robinson recalls. “I borrowed the wig from the school librarian,” he said, adding he bought a red dress and borrowed a pocketbook from someone. “And I won the contest.”

He didn’t do drag again until his senior year in high school, Robinson said, when he “pulled out Geraldine again” in a dramatic arts class. “I got an ‘A’ in dramatic arts,” he told the Blade, before graduating from Fauquier High School in June of 1974.

“Then I waited a year or so, and then I came out to do drag in 1975 in the fall,” he said. That began when a friend introduced him to the then gay nightclub Pier 9, located in the building that later became Ziegfeld’s-Secrets, where drag shows were held.

Robinson said he was impressed by the beauty of the drag performers while attending Pier 9 drag shows. “I’m like, oh, so I can do that too,” he said. And that’s exactly what he did. In October of that year, he entered a Halloween costume contest at the Pier, once again as the Geraldine Jones drag character, and won the contest in the comedy category.

From there, Robinson says, through people he met at the Pier he learned of the then D.C. gay bar Plus One on Capitol Hill, which also hosted drag shows. After auditioning and being approved as a drag performer at Plus One, the owner of the club, Bill Oats, assigned him the drag name Fanny Brice.

It was at the Plus One about a year later when Robinson met Mother Mame Dennis, the drag performer and lead organizer of the Academy of Washington, a local drag social club that organized drag events, including the Gay Miss Universe drag competition. The next day, an Academy of Washington member who performed at Plus One brought Robinson to an academy event.

It was there that Mame Dennis approached him and raised the issue of Robinson’s drag name. “She said, ‘Oh my dear, if you want to be in this group you need to change your name immediately,’” Robinson quoted Dennis as saying. “And I was like, yes ma’am. She said you need to be either Nell Carter or Ella Fitzgerald,” Robinson recounted.

“I was being a smart ass. I said, ‘I’ll take Ella Fitzgerald for $2.’ She said, ‘Oh, you’re funny.’ And she named me Ella Fitzgerald,” Robinson remembers. “And I was her first African-American daughter in the group.”

Through the Academy of Washington and others he met through the drag scene at Plus One and other D.C. gay bars, Robinson quickly learned what he calls the art form of drag and developed a following among those patronizing drag shows in D.C. It was through the academy that Robinson also met the owners of the then Other Side nightclub, Chris Jensen and Allen Carroll, who invited Robinson to begin performing at their club.

Ella Fitzgerald performs at the opening of Ziegfeld’s/Secrets on Feb. 13, 2009. (Washington Blade file photo by Henry Linser)

“There were five of us and we did the show on a Sunday night for 500 women,” Robinson says. “Because, remember, between Washington Square, the earlier name, and the Other Side, it was all women. There were no men allowed until around 1986,” he told the Blade. “So, every Sunday night we were doing drag shows for 500 women, from ’80 until ’85 or ’86.”

Around the time he began performing as Ella Fitzgerald, Robinson also began his other career as a hairstylist, which he says he continues at this time and will celebrate his 40th anniversary as a hairstylist in November of this year.

For much of that time, Robinson has been one of the sought-after stylists at the VSL Hair Salon at 1607 Connecticut Ave., N.W., in the Dupont Circle neighborhood. The salon recently came under new ownership and now operates under the name of Color Lab Salon at the same address.

As Robinson’s reputation as a drag performer became widely known, many of his salon clients referred to him as Ella and were regular patrons of the Ziegfeld’s-Secrets drag show.

By the time Jensen and Carroll renamed the Other Side as Ziegfeld’s-Secrets and through the time it relocated in the building on Half Street, S.W. and until its closing in 2020, Robinson took on the role as the emcee of the club’s Ladies of Illusion drag shows as well as that of one of the city’s most sought after drag performers, according to people who attended his shows.

In an Aug. 2, 2001, lengthy feature article, the Washington Post referred to Robinson and his Ella Fitzgerald character as the “doyenne of Washington drag queens.” The Post article recounted what those who have attended Robinson’s shows already knew – that he also took on the role of a stand-up comedian engaging audience members in on-the-spot banter, often inviting audience members to come on stage to chat with Ella.

“Is that your husband?” the Post article quoted Robinson asking a female audience member at one of the Ziegfeld’s-Secrets drag shows. When the woman replied that the person was her boyfriend, Ella said with an incredulous facial expression, “That little queen?” according to the Post article. The audience roared in laughter.

Robinson says among the highlights of his career as a drag performer have been the recognition he has received from his peers in the drag community, including from the Academy of Washington and its leader Mame Dennis.

 “Once I changed my name to Ella Fitzgerald, Mame said, ‘My dear, one day you will be Miss Universe.’ And 10 years later, Mame crowned me Miss Gay Universe. I was the first African-American Miss Universe in 1986,” Robinson recounted.

He said the prospect of resuming his drag performances to the degree he did before Ziegfeld’s-Secrets closed was uncertain, in part, because he is dealing with a bout of sciatica that makes it difficult for him to walk and move about quickly.

“You might see me come out with a cane at the Pride show,” he said with a laugh.  

Ella Fitzgerald performs at the 2012 Capital Pride Festival. (Washington Blade file photo by Michael Key)
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Local, last-minute holiday gift ideas

Celebrate the season while supporting area businesses

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The DowntownDC Holiday Market is bustling. Union Station is decked out with its annual Christmas tree. Washingtonians have wrapped their houses and apartment balconies with festive lights and holiday decorations. The holiday season is here. And with stockings to fill and empty space under the tree, Washington’s local shops and artists have plenty to offer. 

Show your LGBTQ and D.C. pride with the Washington Blade’s annual holiday gift guide.


To embrace the holiday buzz: The Blanco Nwèl cocktail from Alchy Cocktails. This Caribbean eggnog is one of Alchy Cocktail’s seasonal holiday cocktails. The flavor profile is similar to coquito, a traditional Puerto Rican Christmas drink with a coconut base. As a queer and Caribbean-owned business, Alchy Cocktails has been based out of Washington since 2021. Blanco Nwèl is available in both cocktail ($24) and mocktail ($12) online and at a variety of holiday markets, including the Tingey Plaza Holiday Market, the Flea Market at Eastern Market, Union Station’s Main Hall Holiday Market, and more. ($24)


A spicy bite: Gordy’s Cajun Okra from Salt and Sundry. These spicy, tangy pickles pull on Southern Cajun-style flavors, packing a punch with paprika, cayenne, and more. Gordy’s is an LGBTQ-owned and Washington-based brand, making this gift an opportunity to support a local LGBTQ business straight from the jar. This pantry staple is available on Salt & Sundry’s website and at its locations in Union Market, Logan Circle, and its Georgetown holiday pop-up store. ($14)


To celebrate Washington pride: The DC Landmark Tote Bag from The Neighborgoods. Native Washingtonians, visitors, friends and family alike will find something to love about this Washington-themed tote bag. Food trucks, the 9:30 Club, the Metro logo and pandas from the National Zoo are just some of the city’s landmarks depicted across the tote in a red, white, and blue color palette. The tote is a part of the DC Landmarks collection, which donates 10 percent of its sales to the American Civil Liberties Union. The Neighborgoods itself is a local, woman-owned business built out of a passion for screen-printing in 2013. The 100 percent cotton canvas tote is for sale online or at the DowntownDC Holiday Market. ($22)


To give friends and family their flowers: The Flowers Bandana from All Very Goods. This 100 percent cotton bandana was designed in Washington and hand printed in India. Its uniqueness comes in being covered with the faces of Black women, representing a “love letter to all women but especially Black women,” according to All Very Goods. The Black woman-owned and operated business, based out of Northwest Washington, has a mission to celebrate diversity and representation through its products. The bandana intends to give Black women their “flowers.” The Flowers bandana is available for purchase online. ($24)


To unlock culinary creativity: The Curious Chef Gift Collection from Each Peach Market. This customizable collection of kitchen oddities — ranging from tinned fish to chili oil — is a quirky gift for the most inventive chefs. The collection is available in a Standard Santa, Extra Goodies and Super Holiday Size for up to $165. The Washington-based market, founded in 2013, permits customers to make the collection special by specifying what unique ingredients are packaged, including products made by local or LGBTQ brands. Each Peach Market offers assembly and pick up in-person at its Mount Pleasant shop and also offers local delivery and nationwide shipping via its website. ($85) 


To give a touch of sweetness: The DC Landmark Chocolate Covered Oreo Holiday Cookies from Capital Candy Jar. Wrapped in a festive red bow, this box of nine cookies embraces love for Washington and the holiday season in one. Among the dark and milk chocolate covered cookies are images of the U.S. Capitol, the White House, the Lincoln Memorial, the Jefferson Memorial and festive hollies. The treat, packaged in a Hill East facility just a few blocks from the Capitol, is available for purchase online and at the DowntownDC Holiday Market. ($23.95)


To celebrate queer gaming: Thirsty Sword Lesbians from Labyrinth Games & Puzzles. This roleplaying game embraces lesbian culture by unlocking a world of swords, romance, and battle. Ideal for group settings, the book presents a system of world building and character identities that are best brought to life by creative minds. Labyrinth, which has been a local Washington business for more than 15 years, celebrates non-digital fun through games and puzzles that connect the community. This gift is offered online and at Labyrinth’s Capitol Hill location. ($29.99)


To make a bold statement: The “Resist” T-shirt from Propper Topper. This locally screen-printed black tee features the Washington flag designed within a raised fist, symbolizing both Washington pride, and political resistance. The shirt is made exclusively by Propper Topper, a local Washington business that evolved from a hat shop to a gift store since opening in 1990. The tri-blend unisex shirt is available both for pickup at Propper Topper’s Cathedral Heights location and shipping via the online site. ($32)


To keep it c(g)lassy: The Glass Ball earrings from Blue Moon Aquarius. Gifting can rarely go wrong when it comes to a new pair of earrings. The unique statement earrings — made of polymer clay, glass, and 18k gold plating over surgical steel — are hand cut, sanded and assembled in Washington, meaning each set is unique. Blue Moon Aquarius, a local brand, is known for its small batch jewelry and home decor designed with clay materials. Available in oxblood, hunter green, lavender, and bluestone color palettes, these earrings are available for purchase on Blue Moon Aquarius’ website and at the DowntownDC Holiday Market. ($48)


To elevate a holiday tea or charcuterie party: The Honey Flight: Tea Lover’s Selection from BannerBee. This local honey company presents the ideal gift to make cozying up with a cup of tea slightly more special. The Honey Flight contains three types of raw wildflower honey infused with fair trade Ugandan vanilla bean, chai spices, and locally sourced lemon thyme herb. The gift is also an opportunity to uplift a family company based in the Mid-Atlantic that offers all-natural, sustainable products. The flight is available online, at the DowntownDC Holiday Market or at the Arlington Courthouse and Dupont Farmers’ Markets. ($36)


For Baltimore shoppers: If you’re in Charm City, don’t miss Balston Mercantile, opened by a gay couple in June. Their gorgeous shop in the Hampden neighborhood offers an array of unique, upscale finds, from barware and artwork to cookbooks and home decor and more. (849 W. 36th St.)

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Have yourself a merry John Waters Christmas

Annual holiday show returns to Alexandria and Baltimore

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John Waters performs his annual John Waters Christmas spoken word show on Dec. 20 in Alexandria at The Birchmere, and on Dec. 23 in Baltimore at SoundStage. (Blade file photo by Michael Key)

When it comes to iconic Christmas scenes in movies, none can top the tree-toppling tantrum thrown by cha-cha heels-deprived Dawn Davenport in John Waters’s fifth full-length feature “Female Trouble” from 1974. Therefore, it’s not surprising that Waters continues to make art out of Christmas, performing his spoken word Christmas tour in cities across the country. Waters has even more reason to celebrate with the release of his new red vinyl 7” single, a cover of Little Cindy’s “Happy Birthday Jesus (A Child’s Prayer)” on the A-side, and “A Pig Latin Visit From St. Nicholas” on the B-side. If you’re still looking for unique Christmas gifts, consider this record. As always, John was kind enough to make time for an interview in advance of his tour dates.

BLADE: John, in preparation for this interview with you, I went back and listened to Little Cindy’s original rendition of “Happy Birthday Jesus (A Child’s Prayer)” on your “A John Waters Christmas” CD.

JOHN WATERS: One thing I did, if you notice, I make the same stumble in my recording that she did in the original.

BLADE: It sounded to me like she got choked up.

WATERS: No, I think she just stumbles over a word, so I stumbled over the same word. It’s appropriation, insanely.

BLADE: Is this a song you first became aware of in your youth or when you were an adult?

WATERS: When I was doing the Christmas album, I had this friend named Larry Benicewicz. He was kind of my idea man with music. He knew every single old record. I would say to him, “Weird Christmas songs,” when we were doing a soundtrack, or a song about bears, or a song about this, and he would give me all these tapes. It was one of the ones he played for me. A lot of the songs I put in my movies and on my records, I did know as a kid. I did not know this one, but I immediately embraced it. I don’t think it’s campy. I think it really is spiritual in a weird way. My doing it makes it a novelty record. I am really for novelty records, and there aren’t any anymore. Why was there not a COVID novelty record? That’s insane. The dance “The Bug” that’s on the “Hairspray” soundtrack would be perfect for COVID. 

BLADE: The thing that struck me was that for a Christmas song in the voice of a child, a kind of death pall hangs over it, with lines like, “If I was good you’d let me live with you” and “they nailed you to the cross, they wanted you to die.”

WATERS: All of it! When I see children at midnight mass kneeling in front of a nude man nailed to a cross, I feel like I’m at The Eagle! It is S&M, it’s creepy. I took the same cover (photo) from her record to parody and put my face on it. The same thing I did with The Singing Dogs last year when I covered (their version of) “Jingle Bells.” I’m really into novelty records. I love them and I’m trying to bring them back. I don’t expect anybody to ever play these records. Even The Singing Dogs one said on it, “Please do not play this record” [laughs]. And the flipside, the Pig Latin version, is almost impossible to listen to.

BLADE: I’m so glad you mentioned that. “A Pig Latin Visit From St. Nicholas” reminded me of the lost art of speaking in Pig Latin. I also recall watching the PBS series “Zoom” as an adolescent and learning to speak “ubbi dubbi,” a distant relative of Pig Latin. Do you think that the time is right for a Pig Latin or ubbi dubbi revival?

WATERS: Here’s the thing, I never could pick up any language, except Pig Latin. I’ve been in every foreign country. Foreign countries have given me money to learn to speak the language. I can never do it! But Pig Latin…my parents and other parents in the ‘50s spoke Pig Latin so kids couldn’t understand what they were saying. Then my mother taught it to me, and I used it. The hardest take to shoot in “Pink Flamingos” was not eating the dog shit. It was when the cast skipped, in one take, saying “E-way, are-yay e-they ilthiest-fay eople-pay in-hay e-they ole-hay ide-way orld-way.” We’re the filthiest people in the whole wide world in Pig Latin. We had to do so many takes so they could do it once without screwing it up. In “Polyester,” Edith (Massey) answers the phone, “ello-hay.” I did a photo piece where it was all subtitled in Pig Latin. Like “osebud-Ray” (from “Citizen Kane”) or in “Streetcar,” “ella-Stay!” [Laughs] All the iconic dialogue translated into Pig Latin. My assistant who helped me do it, had never heard of Pig Latin. She really got good at it because she lived in many foreign countries and can pick up languages. But it’s not that easy to do it correctly and read it. Your computer will translate into Pig Latin.

BLADE: AI understands Pig Latin?

 WATERS: I guess that’s AI. It wasn’t 100% right, but it was close. I can speak it if I look at it, but just do a bit at a time. It was a challenge that no one would possibly care about or want to do.

BLADE: I think you pulled it off very well.

WATERS: If you want people to leave on Christmas morning, you put it on. That’s how you get your guests to leave. It’s time to go.

BLADE: Ood-gay i-bay! How did your relationship with record label Sub Pop, which released 2021, 2022, 2024, and new 2025 holiday singles, come about?

WATERS: I believe the first thing I did for them was “Prayer to Pasolini.” They came to me through Ian Brennan. He’s won a couple Grammys for World Music, but he is also is one of my agents who does the Christmas tour and a lot of my shows, anything with music. He helped me arrange each one of the songs. He had a relationship with Sub Pop. It was perfect. My friends in Baltimore, (the band) Beach House, have had huge success.

BLADE: That’s right, they’re on Sub Pop!

WATERS: Yes! I’m happy to be on it. I’ve even been to the warehouse and posed for pictures like Jackie Suzanne used to do.

BLADE: Is there any chance that “A John Waters Christmas” might be reissued on vinyl by Sub Pop?

WATERS: No. It’s such a nightmare to get the rights and to renew them. You have to find the publisher and the writer, and they usually hate each other. It doesn’t matter if it’s obscure or famous, it’s hard to get. You have to make the deal. The singer doesn’t get anything unless they play it on the radio. It would be so complicated legally, and there would be such a [laughs] tiny audience for it. I hope it will come out again. The same thing with the one for Valentine’s Day. I had two of them that did quite well when they came out; “A Date With John Waters and “A John Waters Christmas.” The “John Waters Christmas” album is still the soundtrack that plays whenever I’m doing my spoken word Christmas show as people are entering the theater.

BLADE: Aside from your annual Christmas show tour, what else do you do for the holidays now, and are there any traditions that you’ve carried over from your family?

WATERS: Certainly! I have two sisters, my brother’s widow, and me, so there are four and we take turns each year to have the Christmas dinner. Mine was last year. An entire sit-down dinner. Mom’s China, the silverware, the entire full dinner. It’s pretty traditional. I don’t have a Christmas tree, but I do decorate the electric chair from “Female Trouble.” That is a tradition in my family. We do have Christmas decorations, but they’re usually weird ones that fans sent me. I have one with Divine knocking over the Christmas tree, and the Christmas tree lights up, all sorts of amazing things. There is definitely a tradition here that might be a little altered, but it is definitely a tradition. I used to have a giant party every year, but COVID ended that. I still wouldn’t want 200 people in my house breathing right now.

BLADE: I was looking at your tour schedule and wondered if there are any new cities in which you’ve never performed the John Waters Christmas show that have been added to this year’s schedule?

WATERS: I don’t think there’s a city in America in which I haven’t done one show! The only places I haven’t been to are Hawaii and Alaska. I could do it there, but it’s too long on a tour. I can’t think of a city I haven’t played in in America over the last 50 years. The Christmas show is completely different every year. It doesn’t matter if you saw it last year.

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Ultimate guide to queer gift giving

Champagne, candles, cologne, lawnmowers, and more

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Some gifts scream practical, others whisper luxury, and a few flat-out blur the lines. From cocoa that feels ceremonial to a cologne that linger like a suggestive smirk, this year’s ultimate gift picks prove that thoughtful (and occasionally naughty) presents don’t have to be prosaic. Welcome to your holiday cheat sheet for festive tangibles that get noticed, remembered, and maybe even result in a peck of gratitude planted under the mistletoe. Consensually, of course.


Amber Glass Champagne Flutes

Pop the champs – but make it vintage. These tulip-shaped stunners in amber-tinted glass bring all the Gatsby vibes without the Jazz-age drama. Whether you’re toasting a milestone or celebrating a Tuesday, their seven-ounce capacities and hand-wash-only care make ‘em as practical as they are pretty. Pair with a thoughtful bottle of bubs and gift with a glittering wink. $18, NantucketLooms.com


Disaster Playbook by Here Comes the Apocalypse

Because the end of the world shouldn’t be a solo act, this spiral-bound guide is your step-by-step roadmap to surviving and thriving when everything else goes sideways, which might be sooner than you think. Packed with checklists, drills, and a healthy dose of humor, it’s like a survival manual written by your most prepared (and slightly snarky) friend. Whether you’re prepping for a zombie apocalypse or, more realistically, REVOLUTION!, this playbook’s got your back. $40, HereComesTheApocalypse.com


Wickless Vulva Candles

Bold, luxurious, and completely flame-free, CTOAN’s wickless candles melt from beneath on a warmer, releasing subtle, sophisticated fragrances, like sandalwood or lavender. The vulva-shaped wax adds a playful, provocative element to any space –perfect for a bedroom, living room, or anywhere you want elegance with an edge. A gift that celebrates form, intimacy and self-expression, no fire required. $39, CTOANCO.com


Villeroy & Boch Royal Classic Christmas Collection

Every meal is a mini celebration – with whimsy at every place setting – in Villeroy & Boch’s Royal Classic festive dinnerware collection that hits all the right notes. Made from premium German porcelain, it features nostalgic little toys, nutcrackers, and rocking horses in delicate relief, giving your holiday spread a playful but refined twist. Dishwasher- and microwave-safe, it’s luxe without the fuss. Gift a piece to a special someone, or start a collection they’ll use (and show off) for years to come. $22-$363, Villeroy-Boch.com


Greenworks Electric Lawnmower

You a ’hood queen who considers lawn care performance art – or just wants to rule the cul-de-sac in quiet, emission-free glory? Greenworks’ zero-turn electric mower has the muscle of a 24-horsepower gas engine but none of the fumes, drama or maintenance. Six 60V batteries and a 42-inch deck mean you can mow up to two-and-a-half acres on a single charge – then plug in, recharge, and ride again. It’s whisper-quiet, slope-ready, and smooth enough to make you wonder why you ever pushed anything besides your queer agenda. The perfect gift for the homeowner who loves sustainability, symmetry, and showing off their freshly striped yard like that fresh fade you get on Fridays. $5,000, GreenworksTools.com


Molekule Air Purifier

For the friend who treats their space like a sanctuary (or just can’t stand sneezes), the Molekule Air Pro is magic in motion. Covering up to 1,000 square feet, it doesn’t just capture allergens, VOCs, and smoke – it destroys them, leaving your air feeling luxury-clean. FDA-cleared as a Class II medical device, it’s serious science disguised as modern design. Gift it to your city-dwelling, pet-loving, candle-burning friend who likes their living room as pristine as their Instagram feed. $1,015, Molekule.com


Cipriani Prosecco Gift Set

Effervescent with stone-fruit sweetness and a touch of Italian flair, the Cipriani Bellini & Prosecco gift set brings brunch-level glamour to any day of the week. The Bellini blends rich white-peach purée with sparkling wine, while the dry ’secco keeps things crisp and celebratory. Pop a bottle, pour a flute, and suddenly winter weeknights feel like a party – even with your pants off. $36, TotalWine.com


Woo(e)d Cologne

British GQ recently crowned Woo(e)d by ALTAIA the “Best Date Night Fragrance,” and honestly, they nailed it. Confident without being cocky – smoky gaïac and Atlas cedarwood grounds the room while supple leather and spicy cardamom do all the flirting – it’s a scent that lingers like good conversation and soft candlelight. Gift it to the one who always turns heads – or keep it for yourself and let them come to (and then on) you. $255, BeautyHabit.com


Lococo Cocoa Kit

Keep the run-of-the-mill mugs in the cabinet this Christmas and pull out Lococo’s handcrafted Oaxacan versions that demand you slow down and sip like it matters. Paired with a wooden scoop, rechargeable frother, and Lococo’s signature spice hot-chocolate blend (vegan, gluten-free, with adaptogenic mushrooms), this holiday kit turns Mexi-cocoa into a mini ritual you’ll look forward to. Perfect for anyone who loves a little indulgence with a side of ¡A huevo! energy.


Manta Sleep Mask

Total blackout, zero pressure on the eyes, and Bluetooth speakers built right into the straps, this ain’t your mama’s sleep mask — but it could be. The Manta SOUND sleep mask features C-shaped eye cups that block every hint of light while ultra-thin speakers deliver your favorite white noise, meditation, or late-night playlist straight to your ears. With 24-hour battery life, breathable fabric, and easy-to-adjust sound, it turns any bed (or airplane seat) into a five-star sleep suite. Perfect for anyone who treats shut-eye like an art form (or just wants to escape their roommate’s late-night bingin’ and/or bangin’). $159, MantaSleep.com


Shacklelock Necklace

Turn the industrial-chic vibe of a shackle into a sleek statement. Mi Tesoro’s platinum-plated stainless-steel necklace sits on an 18-inch wheat chain, featuring a shackle-style latch pendant that’s waterproof, tarnish-free, and totally fuss-les. Beyond style, it nods to a classic gesture in the queer leather community: replacing a traditional Master lock with something elegant to quietly signal belonging to someone special. Wear it solo for a minimalist edge or layer it like you mean it; either way this piece locks in both your look and your intentions. $90, MiTesoroJewelry.com


Parkside Flask Mojave Edition

Wine nights get a desert glow-up with Parkside’s limited-edition 750-milliliter all-in-one flask draped in sun-washed bronze and badland hues like sage, sand, and terracotta – with magnetic stemless tumblers that snap on for effortless shareability. It keeps your vino chilled for 24 hours, pours without drips (no tears for spilled rosé, please), and even lets you laser-engrave your own mantra or inside joke. Perfect for picnics, surprise rooftop clinks, or gifting to your favorite wine (or desert) rat. $149, HighCampFlasks.com


Mikey Rox is an award-winning journalist and LGBT lifestyle expert whose work has published in more than 100 outlets across the world. Connect with him on Instagram @mikeyroxtravels.

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