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Drag legend Ella Fitzgerald returns to the stage for Capital Pride festival
Donnell Robinson on 40 years as a performer and the current political backlash against drag
Donnell Robinson, who has dazzled audiences in the nation’s capital as the drag personality of Ella Fitzgerald for at least 40 years, has the date of Saturday, March 21, 2020, embedded in his mind.
That was the last time he performed in drag. It was at the popular Southeast D.C. nightclub Ziegfeld’s-Secrets, where Robinson performed as Ella Fitzgerald for nearly 40 years, before it, along with all city nightclubs, bars, and other “nonessential” businesses were ordered temporarily closed by Mayor Muriel Bowser in response to the COVID pandemic.
“That was the last show I did,” Robinson told the Blade in an interview at his apartment in Arlington, Va.
A short time later, around May of 2020, Robinson and all the Ziegfeld’s-Secrets employees and performers learned that the owner of the club’s building at 1824 Half Street, S.W., announced plans to demolish it to build an upscale condo building several years sooner than expected. That meant the club would not reopen when the COVID restrictions were lifted.
“So, what I recall is in May, it was the first week in May, Steven [Delurba, the Ziegfeld’s-Secrets general manager and part owner] called me and said, ‘Honey, do you have anything in the dressing room? Come and get it. The landlord called and said we must be out by the 15th.’”
Robinson said he has fond memories of meeting up with other drag performers, one of the longtime bartenders and other employees who came to retrieve their belongings in the dressing room and other storage spaces in the converted warehouse building that had served as home to Ziegfeld’s-Secrets since 2009.
And it meant at least the temporary end to a 40-year run in which Robinson (aka Ella Fitzgerald) served as emcee and lead drag performer at the Ziegfeld’s-Secrets nightclub, which began in the club’s previous location a few blocks away.
Robinson began performing as Ella Fitzgerald at The Other Side nightclub in 1980, which later changed its name to Ziegfeld’s-Secrets, at its previous location on the unit block of O Street, S.E., before it was displaced in 2006 by construction of the Washington Nationals baseball stadium.
The club did not reopen until 2009, when its owners Allen Carroll and Chris Jensen, were able to obtain a lease for the 1824 Half Street building, which Carroll and Jensen renovated before reopening the club there.
All of that has become the backdrop to Robinson’s excitement over returning to the stage as Ella Fitzgerald at D.C.’s Capital Pride festival on June 11, which will take place on Pennsylvania Avenue with the U.S. Capitol as a dramatic backdrop two blocks behind the stage.
While he’s hopeful that all will go well with his upcoming performance at the Pride festival, Robinson says he is aware of the recent far-right political backlash against drag shows in states across the country.
In addition to proposed laws placing restrictions on drag shows, protests targeting drag shows, including some attempting to disrupt the shows, have also occurred in cities and states, including earlier this year in nearby Silver Spring, Md., and at a drag brunch hosted by a restaurant near the U.S. Marine Barracks on Capitol Hill in D.C.
“I have read about some of that,” Robinson told the Blade. “I haven’t been in the drag scene in three years. But I see and know what’s going on,” he said. “And my fellow drag performers who are older in my generation, I know they may be at risk. And I know I am to a degree,” he continued.
“And it’s a shame that we have to fear that we can’t present our art, our art form of drag and hope that nothing is going to happen to me today,” he said. “Why should we have to even have that thought going through our mind while we’re going through our makeup and getting ready?”
Speaking with the Blade at his apartment, Robinson added, “I’m planning to walk out of here in full drag to go to Pride. And there’s going to be part of me in the back of my mind that I’ve got to watch my back because there may be some idiot out there that doesn’t want to see an old man dress up in sequins and beads.”
“I just don’t understand why people think that drag is going to go away,” Robinson said. “It’s not. It’s more popular now than it ever was because of RuPaul and the drag brunches and the shows that are continuing to go on.”
Robinson, 68, says he was born in Warrenton, Va., and grew up on a farm just outside Warrenton and raised by his grandparents. His first attempt at drag took place while in the 8th grade when he entered a school talent show portraying TV personality Flip Wilson’s drag character Geraldine Jones.
“All of my girlfriends, they helped get it together,” Robinson recalls. “I borrowed the wig from the school librarian,” he said, adding he bought a red dress and borrowed a pocketbook from someone. “And I won the contest.”
He didn’t do drag again until his senior year in high school, Robinson said, when he “pulled out Geraldine again” in a dramatic arts class. “I got an ‘A’ in dramatic arts,” he told the Blade, before graduating from Fauquier High School in June of 1974.
“Then I waited a year or so, and then I came out to do drag in 1975 in the fall,” he said. That began when a friend introduced him to the then gay nightclub Pier 9, located in the building that later became Ziegfeld’s-Secrets, where drag shows were held.
Robinson said he was impressed by the beauty of the drag performers while attending Pier 9 drag shows. “I’m like, oh, so I can do that too,” he said. And that’s exactly what he did. In October of that year, he entered a Halloween costume contest at the Pier, once again as the Geraldine Jones drag character, and won the contest in the comedy category.
From there, Robinson says, through people he met at the Pier he learned of the then D.C. gay bar Plus One on Capitol Hill, which also hosted drag shows. After auditioning and being approved as a drag performer at Plus One, the owner of the club, Bill Oats, assigned him the drag name Fanny Brice.
It was at the Plus One about a year later when Robinson met Mother Mame Dennis, the drag performer and lead organizer of the Academy of Washington, a local drag social club that organized drag events, including the Gay Miss Universe drag competition. The next day, an Academy of Washington member who performed at Plus One brought Robinson to an academy event.
It was there that Mame Dennis approached him and raised the issue of Robinson’s drag name. “She said, ‘Oh my dear, if you want to be in this group you need to change your name immediately,’” Robinson quoted Dennis as saying. “And I was like, yes ma’am. She said you need to be either Nell Carter or Ella Fitzgerald,” Robinson recounted.
“I was being a smart ass. I said, ‘I’ll take Ella Fitzgerald for $2.’ She said, ‘Oh, you’re funny.’ And she named me Ella Fitzgerald,” Robinson remembers. “And I was her first African-American daughter in the group.”
Through the Academy of Washington and others he met through the drag scene at Plus One and other D.C. gay bars, Robinson quickly learned what he calls the art form of drag and developed a following among those patronizing drag shows in D.C. It was through the academy that Robinson also met the owners of the then Other Side nightclub, Chris Jensen and Allen Carroll, who invited Robinson to begin performing at their club.
“There were five of us and we did the show on a Sunday night for 500 women,” Robinson says. “Because, remember, between Washington Square, the earlier name, and the Other Side, it was all women. There were no men allowed until around 1986,” he told the Blade. “So, every Sunday night we were doing drag shows for 500 women, from ’80 until ’85 or ’86.”
Around the time he began performing as Ella Fitzgerald, Robinson also began his other career as a hairstylist, which he says he continues at this time and will celebrate his 40th anniversary as a hairstylist in November of this year.
For much of that time, Robinson has been one of the sought-after stylists at the VSL Hair Salon at 1607 Connecticut Ave., N.W., in the Dupont Circle neighborhood. The salon recently came under new ownership and now operates under the name of Color Lab Salon at the same address.
As Robinson’s reputation as a drag performer became widely known, many of his salon clients referred to him as Ella and were regular patrons of the Ziegfeld’s-Secrets drag show.
By the time Jensen and Carroll renamed the Other Side as Ziegfeld’s-Secrets and through the time it relocated in the building on Half Street, S.W. and until its closing in 2020, Robinson took on the role as the emcee of the club’s Ladies of Illusion drag shows as well as that of one of the city’s most sought after drag performers, according to people who attended his shows.
In an Aug. 2, 2001, lengthy feature article, the Washington Post referred to Robinson and his Ella Fitzgerald character as the “doyenne of Washington drag queens.” The Post article recounted what those who have attended Robinson’s shows already knew – that he also took on the role of a stand-up comedian engaging audience members in on-the-spot banter, often inviting audience members to come on stage to chat with Ella.
“Is that your husband?” the Post article quoted Robinson asking a female audience member at one of the Ziegfeld’s-Secrets drag shows. When the woman replied that the person was her boyfriend, Ella said with an incredulous facial expression, “That little queen?” according to the Post article. The audience roared in laughter.
Robinson says among the highlights of his career as a drag performer have been the recognition he has received from his peers in the drag community, including from the Academy of Washington and its leader Mame Dennis.
“Once I changed my name to Ella Fitzgerald, Mame said, ‘My dear, one day you will be Miss Universe.’ And 10 years later, Mame crowned me Miss Gay Universe. I was the first African-American Miss Universe in 1986,” Robinson recounted.
He said the prospect of resuming his drag performances to the degree he did before Ziegfeld’s-Secrets closed was uncertain, in part, because he is dealing with a bout of sciatica that makes it difficult for him to walk and move about quickly.
“You might see me come out with a cane at the Pride show,” he said with a laugh.
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Jason DePuy on coping with homophobia in ‘Big Brother’ house
First drag queen contestant on CBS show fought to stay positive
One week after Jason DePuy (known as Salina EsTitties on “RuPaul’s Drag Race”) was bullied and eventually evicted from CBS’s “Big Brother” house, the queer drag performer is still emotionally processing his feelings.
During his 24 days in the reality TV competition, DePuy often had a rough time, with fellow cast member Kamuela “Kamu” Kirk making homophobic comments and feeling isolated.
In a conversation with Head of Household Rick Devens, Kirk left viewers upset when he said, “Bro, miss me with the drag stuff. Miss me. I’m still an MMA guy, and I have an image to uphold.”
Former “Big Brother” contestant Frankie Grande called his words ‘homophobic’ and ‘gross.’ Another comment, where Kirk said he wanted to end DePuy’s career, also received strong backlash online.
Now that he is out of the house, DePuy has been shocked and deeply touched by the love from “Big Brother” fans and former contestants. We chatted with DePuy for this Blade exclusive.
“To know that my community was rallying for me outside the house was the most wonderful thing. Seeing how much people were just wanting to shower me with love was incredible. Even my friends, I went to say hi and give them a hug, and they’re like, ‘Uh, uh, come here.’ They had to hold me and let me know America was feeling for me in a way that I had no idea.”
He added: “To see that reality was just overwhelming, and I couldn’t ask for more.”
Known as a messy player in the house, DePuy often had to fight to stay positive and stand up for himself.
“No one was coming to my rescue. In real life, it’s easy to block people, but in the house, I didn’t have that luxury, so I had to find it within myself to learn how to speak up for myself in a way that wasn’t nasty or biting. I didn’t attack anyone personally, which is what I was the most proud of.”
DePuy acknowledged he has had a history of putting his foot in his mouth when it came to certain “Drag Race”moments, being in the public eye, and making a fool of himself. “I’ve learned my lessons; to see how I handled myself in the ‘Big Brother’ house was amazing.”
While DePuy has been sober for 14 and a half years and has a strong spiritual foundation, in the Big Brother house, he often felt like he couldn’t communicate what he was feeling.
“As a queer person, a person of color, a drag queen, I have to be very careful about how I move. I don’t have the luxury or privilege to just act a certain way or say a certain thing. I have to be very careful; I’m representing me. But who I am is a Latino, a person of recovery, a drag queen, a queer person in the community. I know that there’s a lot of pressure that comes with that. I felt it was safer for me to sit there and just breathe than try to do anything crazy.”
He continued: “I couldn’t speak to the personal attack that was happening in the house, because in my mind I was like, ‘no, this is a game, and I have to play it, put that aside.’”
Not only can viewers watch the episodes, but they can also watch the live feeds of what’s happening. Seeing the fans’ social media posts from people who had watched the episodes and the live feeds also contributed to DePuy realizing that his feelings of discomfort were valid.
“To know that I wasn’t delusional in those moments, that others could see what was happening, has been a lot to take in. Fans and friends let me know the comments made went beyond the game…I’m like, ‘Oh, so my instincts were correct.”
One of the most poignant moments on the live feeds occurred when DePuy was crying, alone in his room, and said how he missed his gay community.
“I really missed my friends. I missed my queer community. We’re so colorful. We’re so loud. We’re so vibrant. We speak off the cuff, and we’re very truthful and honest with how we speak, and it’s fun. We have fun lingo.”
DePuy had to censor his expressions in the house. “Because I can say one thing, but it can mean something different to straight people than it does with my queer brothers and sisters. So, there was a sense of code-switching that I had to do. I had to even put aside some of my queerness in a way sometimes to fit in.”
DePuy was thrilled to be the very first drag queen to ever be cast on the show.
“I’m honored to have been chosen. There’s a million drag queens out there, and to know that I was a contender to come in the house and not even be in drag was like a wow for me. I’m over here in Hollywood, running around these streets with a wig and heels just to make a dollar to survive, and I have to rely on drag to do that. And then to be offered this opportunity and be given the privilege to say, ‘hey, you don’t have to put on the wig for you to be valuable here,’ is just insane to me.”
Prior to his shows, DePuy has been hustling for 15 years, flipping burgers and doing drag at night.
“That has been my life these past since I was 17. So it’s been a long journey; the opportunity to do this out of drag is a very big blessing. I’m honored and grateful to be the representation of my community.”
If you missed Jason on “Big Brother: Unlocked,” the episode can be seen on CBS.com. He will be back on the show for the finale.
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Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard
Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard
Last month’s Pride celebration in D.C. was so fun. Walking around my first Capital Pride with a $15 lemonade I was loving the madness and the color. Artists and small businesses battling banks you’ve never heard of collecting your personal information so you can spin a wheel to snag free merch. Great music blaring, people actually smiling and enjoying themselves, the “Great” American State Fair could never!
The Monument Stage was on Pennsylvania Avenue, directly in front of the National Gallery of Art and I can’t think of a better venue to see live music. How does someone get on the lineup for Pride? How do we accelerate the visibility of the most talented voices in our community to perform in places like this?
There is certainly not a talent gap, but there is a visibility gap. Chappell Roan went from playing for two people in a parking lot to owning the main stage at Coachella in one year. Whether it is shadowbanning or bias in AI, algorithms have been shown to suppress queer artists. In a digital age, how can queer people break through and show the world how talented they are?
Allison and Matt of Rainbows in Revolt are on a mission to make openly LGBTQ+ artists’ voices heard. Their goal is to find “musicians whose queerness is central to their identity as an artist,” and accelerate them to a place where they can actually reach fans.
The only time queer events seem to be in the spotlight is June, but this should be year round, according to Allison and Matt. Rainbows in Revolt wants to act as a “nucleus” for different sub-communities, finding common ground in the universal language of music.
Matt and Allison founded Rainbows as a way to make cheaper, higher quality merchandise for queer artists. While Rainbows has already pledged 20% of their profits to the LGBTQ+ community, with 10% to Whitman-Walker Health and 10% to LGBTQ+ organizations in need, this is just the beginning of the work that they do.
Rainbows “does the dirty work” that artists normally struggle to do on their own with limited resources. Interviews, artist profiles, social promotion, playlist discovery, radio outreach, and merch-funded support. This work is normally expensive, time consuming, and requires lots of different skills. Musicians don’t want to be editing clips to post online. Standup comedians don’t want to make graphics for their tour dates. They want to write more. They want to focus on their craft.
In addition to helping artists find their audience, Rainbows has built other digital tools to help queer people connect, including an interactive Safe Space Map for most major cities. It is hard to know which places are truly safe and supportive just from a simple Google search. Attitudes and actions change, and there should be a simple way for queer people to find other places that align with them. The Safe Spaces Maps are all up to date, and are tagged and filterable. Instead of relying on forums and word of mouth, Rainbows has created a centralized way to find authentic community quickly.
I had a chance to talk with Allison and Matt at Pride where Lily Erin, one of their signature artists, was performing on the Monument stage. Lily Erin is a folk singer who is familiar and forging her own path. Her bittersweet sound echoes through Acadia, and her garb mirrors the New England athletes I grew up with. Gorp Core meets streetwear. A graphic tee, hiking shorts, and creamsicle Jordans.
Her debut single, “Bus Stop,” tells a sad story about unconditional love, and the conditions that still seem to come with it. Graduating into lockdown, Erin needed a new way to connect with herself and others. Lily made “Bus Stop” without an intention to share it, but doing so was a liberation. People have been responding to her honesty around queer-ness, family, and the “ghosts which haunt us” even in the daytime.
Rainbows in Revolt has helped Lily Erin go from bars and backyards to The Monument Stage at Pride. This is a meteoric rise, and a testament to both Erin’s talent and the work of Rainbows to promote her. “A little encouragement goes a long way with early artists,” and by “planting a seed” Rainbows is already seeing their artist garden grow. Community is power, and Erin is a perfect example of how effective simple modern techniques of promotion can be.
A next step for Rainbows is putting on shows themselves. On Oct. 3, Rainbows in Revolt will host an Evening with Ray Boltz at the National City Christian Church. Boltz grew up in the Catholic Church and for many years was the soundtrack to many services, youth camps, and church groups. He was celebrated by millions until he came out in 2008. Allison remembers her community “never playing his music again.”
Rainbows in Revolt is helping him to return to the church, and proving that identity does not need to be exclusive. We live in a complicated world with complicated lines being drawn. Boltz proves that these lines don’t exist, and will be breaking down barriers to bring together communities. To Allison, “a trans woman standing next to a straight white man in church is a powerful teacher.”
The Safe Space maps bridge all types of spaces, and one of the unlikely ones is, perhaps, churches. Matt said that “BYU has only nine safe spaces around their campus and seven of them are churches.” Not all churches are anti-gay, and many times they are the only place for people to find community.
Rainbows in Revolt is just getting started bridging gaps and building community.
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Summer in the City: Free exhibits, movies, more fill D.C.’s calendar
America 250 celebrations continue
From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.
Museum exhibitions
The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free.
The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.
The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.
The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.
Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.
The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.
At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.
The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.
The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3.
Live performances
On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game.
Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.
From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.
Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances.
DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace.
Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.
Other events
Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.
Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary.
The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.
For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.
Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.
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Jason DePuy on coping with homophobia in ‘Big Brother’ house
