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Drag legend Ella Fitzgerald returns to the stage for Capital Pride festival
Donnell Robinson on 40 years as a performer and the current political backlash against drag
Donnell Robinson, who has dazzled audiences in the nation’s capital as the drag personality of Ella Fitzgerald for at least 40 years, has the date of Saturday, March 21, 2020, embedded in his mind.
That was the last time he performed in drag. It was at the popular Southeast D.C. nightclub Ziegfeld’s-Secrets, where Robinson performed as Ella Fitzgerald for nearly 40 years, before it, along with all city nightclubs, bars, and other “nonessential” businesses were ordered temporarily closed by Mayor Muriel Bowser in response to the COVID pandemic.
“That was the last show I did,” Robinson told the Blade in an interview at his apartment in Arlington, Va.
A short time later, around May of 2020, Robinson and all the Ziegfeld’s-Secrets employees and performers learned that the owner of the club’s building at 1824 Half Street, S.W., announced plans to demolish it to build an upscale condo building several years sooner than expected. That meant the club would not reopen when the COVID restrictions were lifted.
“So, what I recall is in May, it was the first week in May, Steven [Delurba, the Ziegfeld’s-Secrets general manager and part owner] called me and said, ‘Honey, do you have anything in the dressing room? Come and get it. The landlord called and said we must be out by the 15th.’”
Robinson said he has fond memories of meeting up with other drag performers, one of the longtime bartenders and other employees who came to retrieve their belongings in the dressing room and other storage spaces in the converted warehouse building that had served as home to Ziegfeld’s-Secrets since 2009.
And it meant at least the temporary end to a 40-year run in which Robinson (aka Ella Fitzgerald) served as emcee and lead drag performer at the Ziegfeld’s-Secrets nightclub, which began in the club’s previous location a few blocks away.
Robinson began performing as Ella Fitzgerald at The Other Side nightclub in 1980, which later changed its name to Ziegfeld’s-Secrets, at its previous location on the unit block of O Street, S.E., before it was displaced in 2006 by construction of the Washington Nationals baseball stadium.
The club did not reopen until 2009, when its owners Allen Carroll and Chris Jensen, were able to obtain a lease for the 1824 Half Street building, which Carroll and Jensen renovated before reopening the club there.
All of that has become the backdrop to Robinson’s excitement over returning to the stage as Ella Fitzgerald at D.C.’s Capital Pride festival on June 11, which will take place on Pennsylvania Avenue with the U.S. Capitol as a dramatic backdrop two blocks behind the stage.
While he’s hopeful that all will go well with his upcoming performance at the Pride festival, Robinson says he is aware of the recent far-right political backlash against drag shows in states across the country.
In addition to proposed laws placing restrictions on drag shows, protests targeting drag shows, including some attempting to disrupt the shows, have also occurred in cities and states, including earlier this year in nearby Silver Spring, Md., and at a drag brunch hosted by a restaurant near the U.S. Marine Barracks on Capitol Hill in D.C.
“I have read about some of that,” Robinson told the Blade. “I haven’t been in the drag scene in three years. But I see and know what’s going on,” he said. “And my fellow drag performers who are older in my generation, I know they may be at risk. And I know I am to a degree,” he continued.
“And it’s a shame that we have to fear that we can’t present our art, our art form of drag and hope that nothing is going to happen to me today,” he said. “Why should we have to even have that thought going through our mind while we’re going through our makeup and getting ready?”
Speaking with the Blade at his apartment, Robinson added, “I’m planning to walk out of here in full drag to go to Pride. And there’s going to be part of me in the back of my mind that I’ve got to watch my back because there may be some idiot out there that doesn’t want to see an old man dress up in sequins and beads.”
“I just don’t understand why people think that drag is going to go away,” Robinson said. “It’s not. It’s more popular now than it ever was because of RuPaul and the drag brunches and the shows that are continuing to go on.”
Robinson, 68, says he was born in Warrenton, Va., and grew up on a farm just outside Warrenton and raised by his grandparents. His first attempt at drag took place while in the 8th grade when he entered a school talent show portraying TV personality Flip Wilson’s drag character Geraldine Jones.
“All of my girlfriends, they helped get it together,” Robinson recalls. “I borrowed the wig from the school librarian,” he said, adding he bought a red dress and borrowed a pocketbook from someone. “And I won the contest.”
He didn’t do drag again until his senior year in high school, Robinson said, when he “pulled out Geraldine again” in a dramatic arts class. “I got an ‘A’ in dramatic arts,” he told the Blade, before graduating from Fauquier High School in June of 1974.
“Then I waited a year or so, and then I came out to do drag in 1975 in the fall,” he said. That began when a friend introduced him to the then gay nightclub Pier 9, located in the building that later became Ziegfeld’s-Secrets, where drag shows were held.
Robinson said he was impressed by the beauty of the drag performers while attending Pier 9 drag shows. “I’m like, oh, so I can do that too,” he said. And that’s exactly what he did. In October of that year, he entered a Halloween costume contest at the Pier, once again as the Geraldine Jones drag character, and won the contest in the comedy category.
From there, Robinson says, through people he met at the Pier he learned of the then D.C. gay bar Plus One on Capitol Hill, which also hosted drag shows. After auditioning and being approved as a drag performer at Plus One, the owner of the club, Bill Oats, assigned him the drag name Fanny Brice.
It was at the Plus One about a year later when Robinson met Mother Mame Dennis, the drag performer and lead organizer of the Academy of Washington, a local drag social club that organized drag events, including the Gay Miss Universe drag competition. The next day, an Academy of Washington member who performed at Plus One brought Robinson to an academy event.
It was there that Mame Dennis approached him and raised the issue of Robinson’s drag name. “She said, ‘Oh my dear, if you want to be in this group you need to change your name immediately,’” Robinson quoted Dennis as saying. “And I was like, yes ma’am. She said you need to be either Nell Carter or Ella Fitzgerald,” Robinson recounted.
“I was being a smart ass. I said, ‘I’ll take Ella Fitzgerald for $2.’ She said, ‘Oh, you’re funny.’ And she named me Ella Fitzgerald,” Robinson remembers. “And I was her first African-American daughter in the group.”
Through the Academy of Washington and others he met through the drag scene at Plus One and other D.C. gay bars, Robinson quickly learned what he calls the art form of drag and developed a following among those patronizing drag shows in D.C. It was through the academy that Robinson also met the owners of the then Other Side nightclub, Chris Jensen and Allen Carroll, who invited Robinson to begin performing at their club.
“There were five of us and we did the show on a Sunday night for 500 women,” Robinson says. “Because, remember, between Washington Square, the earlier name, and the Other Side, it was all women. There were no men allowed until around 1986,” he told the Blade. “So, every Sunday night we were doing drag shows for 500 women, from ’80 until ’85 or ’86.”
Around the time he began performing as Ella Fitzgerald, Robinson also began his other career as a hairstylist, which he says he continues at this time and will celebrate his 40th anniversary as a hairstylist in November of this year.
For much of that time, Robinson has been one of the sought-after stylists at the VSL Hair Salon at 1607 Connecticut Ave., N.W., in the Dupont Circle neighborhood. The salon recently came under new ownership and now operates under the name of Color Lab Salon at the same address.
As Robinson’s reputation as a drag performer became widely known, many of his salon clients referred to him as Ella and were regular patrons of the Ziegfeld’s-Secrets drag show.
By the time Jensen and Carroll renamed the Other Side as Ziegfeld’s-Secrets and through the time it relocated in the building on Half Street, S.W. and until its closing in 2020, Robinson took on the role as the emcee of the club’s Ladies of Illusion drag shows as well as that of one of the city’s most sought after drag performers, according to people who attended his shows.
In an Aug. 2, 2001, lengthy feature article, the Washington Post referred to Robinson and his Ella Fitzgerald character as the “doyenne of Washington drag queens.” The Post article recounted what those who have attended Robinson’s shows already knew – that he also took on the role of a stand-up comedian engaging audience members in on-the-spot banter, often inviting audience members to come on stage to chat with Ella.
“Is that your husband?” the Post article quoted Robinson asking a female audience member at one of the Ziegfeld’s-Secrets drag shows. When the woman replied that the person was her boyfriend, Ella said with an incredulous facial expression, “That little queen?” according to the Post article. The audience roared in laughter.
Robinson says among the highlights of his career as a drag performer have been the recognition he has received from his peers in the drag community, including from the Academy of Washington and its leader Mame Dennis.
“Once I changed my name to Ella Fitzgerald, Mame said, ‘My dear, one day you will be Miss Universe.’ And 10 years later, Mame crowned me Miss Gay Universe. I was the first African-American Miss Universe in 1986,” Robinson recounted.
He said the prospect of resuming his drag performances to the degree he did before Ziegfeld’s-Secrets closed was uncertain, in part, because he is dealing with a bout of sciatica that makes it difficult for him to walk and move about quickly.
“You might see me come out with a cane at the Pride show,” he said with a laugh.
a&e features
Tickets on sale for chef Patrick O’Connell’s book launch event
Sept. 18 kickoff to feature José Andrés, Tom Sietsema
Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.
Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.
O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.
“I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”
O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.
“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”
The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination.
The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.
a&e features
The queer Asian comics building collective joy in D.C.
Spotlighting chaotic ways family, romance, identity take shape in their lives
Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward.
“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.
Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives.
From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together.
“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”
Each performance evoked queer Asian joy through a medium that could use more of its presence.
According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said.
When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”
“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”
But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center.
Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.
“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said.
Family is a major throughline of their comedic repertoires.
Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down.
“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”
Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form.
“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’”
Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church.
“I’ve been finding it hard to escape her,” Kim said.
Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.
Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet.
“As a person of color, I just don’t think I should be with a Swiftie,” they said.
Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training.
“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked.
Laughter is not the only reward for the comics.
To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said.
Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition.
“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”
Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.
Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.
“As long as I can keep doing this, I’m super happy,” he said.
This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).
a&e features
Mr. Henry’s celebrates 60 years of proud inclusivity
Capitol Hill staple remains ‘a caring community’
America’s 250th isn’t the only milestone birthday D.C. is celebrating this year.
Beloved D.C. restaurant Mr. Henry’s, that Capitol Hill staple, celebrates its Diamond Jubilee all year long. Named for its original owner Henry Yaffe, the restaurant opened on a warm day 60 years ago in the summer of 1966 and has never looked back.
Yaffe took over what was then a country western restaurant, renovated the interior to his liking, and created an institution. Yet Yaffe had another goal. As a gay man, “he created Mr. Henry’s to be a place where everyone felt welcome — not easy in 1966 — and he succeeded,” says current owner Mary Quillian.
“Mr. Henry’s has long been a place the LGBTQ community has supported because they felt and still feel welcomed,” says Quillian. Even in the current administration, “the gay community and the diversity-minded community continue to come.”
Since then, Mr. Henry’s has changed hands, opened and closed its second floor, welcomed famed musical acts, and played host to politicians, date nights, breakups, and birthdays. But it still feels like home (and has a note in the National Trust for Historic Preservation) at 601 Pennsylvania Ave., S.E.
Its wood-paneled, Victorian-inspired art-filled décor in the downstairs dining room and bar serves American pub fare for lunch and dinner daily, with brunch on weekends (and a dog-friendly patio). Upstairs, Mr. Henry’s hosts live jazz performances and special events most nights, continuing a musical tradition that has defined the venue for decades. That upstairs bar has played host to names like Roberta Flack and Woody Allen.
Musician Kevin Cordt said that, “Mr. Henry’s has been a part of my life for more than 30 years. I started as a customer, then became a bartender and server, and now I have the good fortune to play trumpet at one of the best live music venues in Washington, D.C.”
Aaron Myers, executive director of the D.C. Commission on the Arts and Humanities, is also a supporter. “Not many cities can sport venues that have consistently served the community in the space of culture for more than 50 years, let alone can brag as the birthplace of culture defining talent.”
From the start, Yaffe promoted a rare yet celebrated combination of locals’ bar and soulful nightlife venue. Mr. Henry’s has attracted a diverse crowd at a time when such spaces were – and perhaps still are – uncommon, a diversity that is credited with helping protect the pub during the 1968 D.C. riots.
Longtime customer Evelyn Branic said, “Mr. Henry’s has been my ‘Cheers’ hangout since my wife and I moved to the Hill in 1987. I’ve experienced many iconic moments meeting politicians, reporters, civic activists, and neighbors engaging in spirited conversations. Whether political, LGBTQ, historians, neighbors, or out-of-towners, everyone could find a special place to be greeted as a friend.”
Its welcoming tables come dabbed with a bit of tea: In 1971, in a moment that has since become part of Capitol Hill lore, Yaffe lost the pub in a poker game to Larry Quillian. The Quillian family, recognizing the special role Mr. Henry’s played in the neighborhood, took over ownership, and committed to preserving its spirit. Today, Larry’s daughter Mary owns the bar, having given it a bit of a facelift for the bar’s 50th birthday, bringing in new tables and some fresh menu items.
For example, the menu has some of those dishes that regulars would riot if they disappeared. The Reuben and the hamburgers, the chili and in-house roasted turkey have never departed the menu. Dishes do evolve, says Quillen: they added wings about two decades ago.
In 2026, the restaurant is hosting monthly ticketed “decades” parties, celebrating each of the 10-year periods the restaurant’s been open, plus there were specials in June for Pride. The official 60th anniversary gala takes place Aug. 29, featuring performers, beverages, timeless favorite foods, swag – and the unveiling of a new cocktail.
Inclusive, eccentric, eclectic, Mr. Henry’s is looking forward to maintaining its centrality to diverse crowds in Capitol Hill. Battling inflation, rising menu prices, changing tastes, and thin margins, Quillian says that Mr. Henry’s has — and will always be — “a caring community for so many different folks. And THAT is why I am committed to keeping us going. Society needs places like Mr. Henry’s, now more than ever.”
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